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Bio

Homa Ramezani is a Florida-based Iranian collage artist whose self-taught practice has unfolded beyond academic systems, shaped instead by intuition, talent, and the lived knowledge of movement, memory, and exile. After leaving Iran in her mid-twenties and spending many years in Germany, she eventually settled in the United States, where her work found a wider circle of collectors and supporters. Working in collage for more than two decades, Homa creates one-of-a-kind pieces that feel intimate and emotionally charged—works that carry the tenderness of a personal archive while opening into surreal, dreamlike space.

Collage is the structural heart of Homai’s practice, but she consistently pushes beyond traditional boundaries. She builds layered surfaces with fabric and textiles, found photographs, puzzle pieces, and painted passages, often integrating drawing, pastel, and occasionally small objects that bring physical weight to the image. Her compositions are rich with touch and texture, assembling fragments the way memory assembles a life: selectively, poetically, and with quiet intensity. Influenced by surrealism and guided by the unconscious, Homa allows imagery to surface from within—part recollection, part invention—so that each work becomes a small world of its own, both feminine and fearless.

Her recent Puzzle Collage series exemplifies this language of reconstruction, where fragmentation becomes a form of storytelling and repair. Across her practice, Homa returns to themes of womanhood, cultural identity, and the delicate relationship between past and present—transforming overlooked materials into works that feel enduring, personal, and alive.

Though her career has grown outside conventional art-world pathways, Homa’s work has been recognized through curated group presentations in Florida, including at the West Palm Beach Convention Center (presented by Sandra Neustadter Gallery) and the “Metamorphosis” group exhibition at Abra Gallery in Fort Lauderdale, among other local showcases. Her pieces have also found homes through direct relationships with viewers and collectors—often sparked by an immediate emotional connection to the work and its tactile, story-bearing presence.
 

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